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And it doesn’t involve discarding, rebranding or disowning the people who helped him get where he is.Welcome back to The Attraction Doctor Last week, I discussed why women can't find a "good" man (here).To keep moving forward, he knows they had to change.

The review found the departure so stark that it offered the following intensely patronising speculation: “It is so old-fashioned it may actually come across as something new to its target audience.

After all, most One Direction fans wouldn’t even have been twinkles in their parents’ eyes when this kind of ragged confection was all the rage.” Because, tragically, society has still not discovered a way to make music from the past available to modern ears.

It’s a favourite amongst fans who never thought they’d devote themselves so sincerely to a boy band – “Baby, look what you’ve done to me.” It sounded complimentary to the songs he played from the new album “Carolina”, “Sign of the Times” and “Ever Since New York”.

For me, “Sweet Creature”, the second single from Styles’s debut, is a natural extension of One Direction’s “I Want To Write You a Song” and tracks co-written by Styles, “If I Could Fly” and “Walking in the Wind”.

“The thing with the band,” Harry continues in the documentary, “was that it went so well, from the start, that it almost felt like everything had to get a little bigger each time. There’s only so high you can go, at some point you’re not going to make that expectation.

Going out on a high and now feeling like I’m starting afresh, I came to terms with the fact that that was so great, and if I never get to do that on that level again, that’s okay.” Styles has confronted the fact that the sweaty combination of youth, beauty, hype, and sheer devotion that propelled him and his bandmates to ridiculous levels of fame is unsustainable.

I never felt like I was faking it.” Perhaps the main thing that separates Styles from some of his rock counterparts is his enormous respect for pop music, young women, and the extraordinary dynamic that can emerge between an artist and their fans.

Whether this is a calculated fan-servicing move or not – it’s one that critics should aspire to.

In fact, bands like The 1975 and Blossoms are exploiting those overlaps by positioning themselves somewhere between boy band and rock group.

But the boy band remains dismissed and derided while rock groups are mythologised and worshipped as art.

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